Sensitive show examines our deep bonds with trees and wood
The Times | Monday June 10 2024
Amongst the Trees
Scottish Gallery, Edinburgh
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As the organisers of this impeccably curated, sensitive and surprising show point out, trees have taken a central place in art-making from the earliest times. They have been a focal point in landscape painting and a source material for sculpture and furniture. Wood is one of the most diverse, beautiful and ubiquitous materials on the planet.
There is no doubt that all the 30 or so artists here — including Sheila Anderson Hardy, Victoria Crowe, Kate Downie, Philip Braham and Doug Cocker — are aware of this rich diversity and cultural history. Some work with wood and some depict it. Barnaby Ash and Dru Plumb have collaborated on a series of vessels made from lightening-struck English oak. The darkened bowls, vases and other archetypal forms have been turned and burnished, and the “flaws” repaired with waxed cotton stitching.
The show is also a tribute to the cultural philanthropist and artists’ patron Hugo Burge (1972-2023). His Marchmont estate in the Scottish borders rapidly established itself as one of the country’s most important artistic hotspots. Colin Brown’s Rattlesnake, acrylic and collage on wood panel, left, is another highlight. Paul Reid, David Rae, Kirstie Behrens and Claire Harkness all demonstrate an attention to detail in their arboreal depictions, with Behrens and Reid using particularly mimetic but expressive techniques. It is also difficult not to be moved by the intimate landscapes of Pascale Rentsch.
Until July 27